A new musical, "Barnstormer," is being showcased
this week at the Lark Play Development Center that has everyone
talking. The musical is based on the life of black female aviatrix,
Bessie Coleman (1892 - 1926), a leader with vision far above the
clouds and takes place between 1919 through 1942. The starring role
of Bessie, played to youthful perfection by wide-eyed Erica Ash,
captured the essence of a determined woman on a mission towards
total freedom. How women today can relate to that!
"Barnstormer" will have
your heart soaring with its ensemble of talented veterans - Cheryl
Alexander, Stu James, David St. Louis , Andre Montgomery, Ken Prymus
and Gayle Turner. Barnstormer has the ingredients that Broadway hits
are composed of - memorable score, great choreography and on point
acting. Book and lyrics are by playwright and practicing attorney,
Cheryl Davis, whose works have been performed at the Kennedy Center,
with music by Douglas J. Cohen and directed by Jerry
Dixon.
The Lark Play Development
Center, under Producing Director John Clinton Eisner, provides
American and international playwrights with indispensable resources
to develop their work, as well as nurturing artists at all stages in
their careers. The Lark Play Theatre is located at 939 Eighth
Avenue, 2nd Floor, New York City.
Hurry! Only two days remain in this
showcase - Nov. 15 and 16. Ticket are $15 and all performances start
at 8 p.m. For further information, please call 212-246-2676 ext.
22.
Famed Pioneer Aviator Bessie
Coleman
By Camille Darby
The Black Star
News
Vol. 10 No.
2
www.blackstarnews.com
December 1 - December 7,
2005
[ Theater
]
The Lark Play Development Center recently ended their
rehearsal of Cheryl L. Davis's adaptation of Barnstormer-the untold
story of the first Black female aviator, Bessie
Coleman.
Led with the stunning voices of Erica Ash who
brilliantly plays the protagonist Bessie Coleman; and David St.
Louis-her brother John, a war veteran; this musical tracks the life
of Bessie, a resilient, high flier with intentions of being more
than just a colored girl from Texas. The play spans from 1919 to
1942 offering strong subtext about a time-period where many
African-Americans celebrated the rebirth of life and culture in
Harlem. Men wearing their uniforms
proudly returned to the U.S. after World War I
hoping to finally call it "home" although racism and the Great
Depression left many in hopelessness. Blacks in Chicago lifted
their heads higher with every strut as illustrated in the musical
number "On the Stroll."
Bessie's image of the New Negro despite the social and
economic circumstances of the times shines vividly the minute the
lights come up on stage. She argues with her mother, played by the
gifted Cheryl Alexander who symbolizes a generation that warns,
"keep your eyes down."
Determined and convinced that she will do more and
live more than the cotton in her shirt, Bessie teaches her mother
that "nice" is not enough. The Chicago Defender-though just a
newspaper-serves as her window through which she'll climb through to
fly above the clouds. Although met with trying obstacles of the time
including sexism, self-deprecation, and religion, Bessie fights
relentlessly to maintain herself as a Black woman with the ability
and right to simply live.
So
what's next for this telling and uplifting play? With over four
years of work, Barnstormer has had its first act presented at the
York Theatre and a production in full length at the Stamford
Center for the
Performing Arts. The writer, Cheryl L. Davis has also
received the Kleban Award for writing the book and lyrics to this
musical.
For more information on supporting the Lark, finding
out more about Barnstormer, or for playwrights who wish to have
their work supported by this laboratory, send emails to info@larktheatre.org or
visit their website at www.larktheatre.org.
(Black Star Editor's
note: , Bessie Coleman received the first pilot's license issued to
an African American; male or female, on June 15,1921, from the
Federation Aeronautique Internationale. She was an independent and
determined woman, and believed learning to fly was a worthy
challenge. After being denied training in the U.S. due to racism, she moved to
France and won her
license. In the U.S. she started performing aerobatic
loops and figure eights in Chicago, hoping to eventually open
a flying school for Black people. Before she realized her dreams, on
April 30, 1926, she was in a practice flight for a May Day
celebration in Orlando, Florida, when 10 minutes into the
flight, the plane piloted by her publicity agent/mechanic nose dived
and flipped. She had not fastened her belt and fell to her death.
More students should research this fascinating
life).